When Margaret Atwood introduced The Handmaid’s Tale in 1985, she called it an “antiprediction,” explaining: “If this future can be described in detail, maybe it won’t happen.” The last few years have seen a slew of laws and rulings restrict women’s sexual and reproductive rights in numerous states and anti-women measures and sentiments echoed in the highest offices of the federal government—developments that seem eerily reminiscent of the world Atwood described. Two recent novels, Red Clocks and The Power, build on the genre of The Handmaid’s Tale by reimagining the fate of female agency with the urgency of our time.
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